BRONZINO, Agnolo
Italian Mannerist Painter, 1503-1572 Italian painter and poet. He dominated Florentine painting from the 1530s to the 1560s. He was court artist to Cosimo I de' Medici, and his sophisticated style and extraordinary technical ability were ideally suited to the needs and ideals of his ducal patron. He was a leading decorator, and his religious subjects and mythological scenes epitomize the grace of the high maniera style.
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BRONZINO, Agnolo Allegory of Happiness sdf oil painting


Allegory of Happiness sdf
1564 Oil on copper, 40 x 30 cm Galleria degli Uffizi, Florence
Painting ID::  5430 		BRONZINO, Agnolo
Allegory of Happiness sdf
1564 Oil on copper, 40 x 30 cm Galleria degli Uffizi, Florence
   
   
     
BRONZINO, Agnolo Venus, Cupide and the Time (Allegory of Lust) fg oil painting


Venus, Cupide and the Time (Allegory of Lust) fg
1540-45 Oil on wood, 147 x 117 cm National Gallery, London
Painting ID::  5431 		BRONZINO, Agnolo
Venus, Cupide and the Time (Allegory of Lust) fg
1540-45 Oil on wood, 147 x 117 cm National Gallery, London
   
   
     
BRONZINO, Agnolo Venus, Cupide and the Time (detail) fdg oil painting


Venus, Cupide and the Time (detail) fdg
1540-45 Oil on wood National Gallery, London
Painting ID::  5432 		BRONZINO, Agnolo
Venus, Cupide and the Time (detail) fdg
1540-45 Oil on wood National Gallery, London
   
   
     
BRONZINO, Agnolo Portrait of a young man oil painting


Portrait of a young man
mk161 Oil on wood
Painting ID::  41279 		BRONZINO, Agnolo
Portrait of a young man
mk161 Oil on wood
   
   
     
BRONZINO, Agnolo Allegory the dear oil painting


Allegory the dear
mk186 around 1545 London nationally Gallery
Painting ID::  45630 		BRONZINO, Agnolo
Allegory the dear
mk186 around 1545 London nationally Gallery
   
   
     
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     BRONZINO, Agnolo
     Italian Mannerist Painter, 1503-1572 Italian painter and poet. He dominated Florentine painting from the 1530s to the 1560s. He was court artist to Cosimo I de' Medici, and his sophisticated style and extraordinary technical ability were ideally suited to the needs and ideals of his ducal patron. He was a leading decorator, and his religious subjects and mythological scenes epitomize the grace of the high maniera style.

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